Politics & Poetics – call for papers
Politics & Poetics, a new peer-reviewed journal of the humanities with a focus on philosophy, invites high quality submissions on the topic of Tragic Poetry for its inaugural edition.
Politics & Poetics seeks articles that engage with questions of interest both to readers specialising in the relevant fields and a wider academic audience.
The topic for the inaugural edition is Tragic Poetry. The editors request submissions that approach this subject philosophically. However, authors need not limit themselves purely to tragic poetry, and articles addressing tragedy in the broader context of, poetry, the arts, and their relationship with philosophy, will be also considered. Articles are expected to be of professional quality. Excellent submissions from students are encouraged. The best article by an undergraduate or graduate student to be selected for publication will be awarded a prize of 200 GBP. The editors seek around seven articles and five book reviews for the first edition. If you wish to review a book relating to tragic poetry please contact the editors who will be happy either to suggest a suitable book or to consider suggestions from potential authors.
The historical precedent for philosophical engagement with tragic poetry stretches back to Plato and Aristotle. Plato famously bans the poets from his Republic, though he himself began his literary career as a playwright. By contrast, both Aristotle’s Politics and his Poetics give tragic poetry an important role in moral education and the polis. Later philosophers have emphasised the importance of the historical emergence of tragic poetry to our understanding of human nature. In The Birth of Tragedy Nietzsche returns to Athenian tragic drama, identifying in it the unification of the Dionysian and the Apollonian drives. Rene Girard grounds his philosophical anthropology in the role which tragic art plays in stemming mimetic violence. More recently in Shame and Necessity, Bernard Williams expounds and defends the conceptual framework of Ancient Greek ethics as recovered from the Athenian tragedies. Williams claims that present-day ethical thought is closer to that of classical antiquity than is commonly supposed. Likewise Martha Nussbaum in The Fragility of Goodness presents a distinctive picture of morality drawn from works of tragedy.
Subjects which authors may wish to focus on include:
- Tragic poetry as a form of art
- Tragic poetry and early society
- Tragic poetry and postmodernity
- The problem of tragic pleasure
- Tragic poetry and religion (or theology)
- Anthropological views on tragedy
- Tragic poetry and the second person perspective
- Tragic poetry and the origins of justice (or law)
- Aesthetic value of tragic poetry
- The distinction between the tragic and the merely horrible
- Defining the tragic
- Scapegoating, sacrifice, and tragic poetry
- Tragic poetry and philosophical anthropology
- Tragic poetry, Greek theatre, and the performative aspects of personhood
- Tragic poetry and the polis
Articles between 2000 and 8000 words in length should be submitted as an email attachment in rich text format to j.d.price@law.leidenuniv.nl and ralph.weir@bfriars.ox.ac.uk. Articles should be prepared for blind review and should not be previously published or under consideration for publication elsewhere. Information for authors can be found at:
http://www.clarionreview.org/2013/12/politics-poetics-call-for-papers/
http://philevents.org/event/show/13551.
Politics & Poetics aims to inform authors of the results of their submission within two months of the deadline.